The Novel Approach

Reviews, Ramblings, and Randomness

Archive for the tag “Bold Strokes Books”

Kings of Ruin by Sam Cameron

And then the car was beside him, not idling but panting like a deadly animal which may or may not be tamed. – Stephen King

Coming March 18, 2013

It’s hard not to automatically think of Stephen King when you read a book about possessed cars, isn’t it? No? Maybe it’s just me, and maybe I’ve just read too much SK in my day.

At any rate, Sam Cameron’s Young Adult novel King of Ruins is a pretty fast-paced and promising beginning to what appears is going to be a series (???), even though I can’t find mention of a sequel to the book anywhere. Honestly, though, I can’t imagine there won’t be a continuation to the story, based upon the way this book ended. There’s too much left hanging in the balance for it to be otherwise, beginning with the origin of the Ruins, and notwithstanding the non-relationship that had really only just been hinted at between Danny Kelly and Kevin Clark before the book came to a conclusion.

This is Danny’s coming-out story, set against a backdrop of real-life issues (the loss of his father and brother, his mother’s new marriage, Danny’s arrest for underage driving—in a stolen car, no less—not to mention now living in a city where he doesn’t want to be), but that’s really not the central focus of the story; that belongs to the alien sources of energy dubbed Ruins that feed on love, drugs, and rock & roll, and have taken to possessing all manner of automobiles, wreaking havoc and leaving a host of dead bodies in their rearview mirrors. There is one particularly deadly Ruin, King #5, that’s causing chaos in the city of Nashville, and it’s that entity that brings Danny and Kevin, who works with his father for a secret arm of the government in league with the Department of Transportation, together to mount a dangerous chase to try and eliminate the King before it can gather enough strength to infect something much more powerful and dangerous than a mere car.

This is a story that’s creative and filled with plenty of cut-to-the chase action when not focusing on Danny’s journey of self-discovery. It’s a story that has a lot of potential to go places if it is indeed only the beginning of something that will eventually dig a little deeper into the origins of the Ruins, how and why they connect with people of a particular background, and how Danny is eventually going to fit into the scheme of the agency to which he’s currently been given only a short-term hall pass due to his age.

There were enough questions left dangling at the end of this book that, right or wrong, it left me wanting in a rather frustrated way, sort of like trying to satisfy a chocolate craving with carob. Ack. I really liked the Urban Fantasy/Sci-Fi elements of the story, though, and found myself rooting for good things to happen for Danny and Kevin, hopefully sooner rather than later.

Kings of Ruin is definitely not a book you ought to read if you’re looking for teen romance, but if it’s action and adventure you’re after, and you don’t mind a cliffhanger, give this one a go.

Coming from Bold Strokes Books: March 2013

Murder in the Rue Dauphine (Chanse MacLeod #1) by Greg Herren

The stage is the Crescent City; the script, blackmail and murder; the director of the action, Chanse MacLeod, ex-cop and private investigator who is embroiled in a case where prostitution and extortion crawl into bed together and end up with his client, Mike Hansen, taking a nap of the eternal variety.

Mike was a hustler who managed to leave more than a few enemies behind him, providing for a healthy list of reasonable suspects in the wake of his murder. Having retained Chanse’s services to investigate and discover who’s blackmailing his latest sugar daddy, a very married and very closeted and very prominent man, Mike ends up with a bullet in his chest for the trouble, along with an epitaph written in his own blood that has many in the gay community believing his death was the result of a hate crime.

Without a client, Chanse is technically no longer on the case, but his investigative instincts don’t allow for him to avoid doing some sleuthing of his own, apart from the police investigation. What he discovers is a gay rights activist with a political agenda, an upstairs neighbor of Mike’s with more than a few secrets, a string of jilted lovers, the identity of Mike’s illicit lover, and a prostitution ring that extorts money from its wealthy and closeted clients.

There are a couple of key factors that weighed heavily in my opinion of Murder in the Rue Dauphine, the first being that I didn’t find Chanse to be a terribly dynamic narrator, which I suppose is always a risk when writing a book in the first person narrative. He was a fairly one dimensional, somewhat egocentric, shallow, and cynical protagonist, though that part of his personality aligns perfectly with his line of work. If you’re a good detective, everyone has to be a suspect until they can prove they have an alibi.

The second issue I had was with the writing itself. I’m not sure whether it was a conscious stylistic choice on the part of the author, or whether it was purely incidental, but a large majority of the book is written in short, choppy sentences, which makes Chanse seem rather ineloquent and interrupted the fluidity of the narrative with its near constant breaks. It wasn’t an issue throughout the entire book, but it was enough of one to make it feel as though I’d be cruising along at a decent speed, only to come to a traffic jam where I was forced to stop, inch forward a bit, only to have to stop again. It disrupted the pace and made it extremely difficult for me to stay focused on the story.

What did work for me, and what has me conflicted about how aggressively I would (or wouldn’t) consider recommending this book was the mystery itself, and the related investigation. The way in which the initial crime and its aftermath affected Chance, and the gay community as a whole, was a good juxtaposition to what really lay behind it. There were also enough red herrings to initially keep me guessing at the identity of the killer, which was nice, and when that person is finally revealed, I found both the perpetrator and the motives for the crime to be plausible.

Another highlight was the relationship between Chanse and his best friend Paige Tourneur (funny name for a journalist and aspiring author), who spend a fair amount of time together during the investigation, much of that time spent getting stoned. Their friendship was established prior to the start of the book but felt genuine, nonetheless, and I enjoyed their interactions with each other.

So, I’d recommend this one with some reservations, especially if the things that were issues for me are a factor for you as well. Of course, if you’re looking for romance, you’ll want to give this one a miss altogether. There isn’t one, though there is a boyfriend; he’s just not a role player in the story.

Buy Murder in the Rue Dauphine HERE.

Fontana by Joshua Martino

Fontana is a brilliant book. And I don’t mean that solely in the intellectually brilliant sense of the word; I mean that it is also luminous and powerful, and it made me angry and it made me cry, and it’s been some time since I’ve read a book that engendered such a strong emotional reaction in me.

First, let me caution you that this book is not a romance, though it is the love story, of a sort, between a young man and the sport at which he excels, and a journalist and an extraordinary athlete, and the sport that that journalist, Jeremy Rusch, reveres. No, Fontana is literary fiction and is told in the first person from Jeremy’s POV as he covers the New York Mets for his small and struggling NYC paper, and the career of Ricky Fontana during one epic season when the twenty-year-old wunderkind held America’s pastime and, indeed, the world in the pocket of his mitt and the sweet spot of his bat.

During one memorable summer, when nearly every baseball fan’s (and many non-fan’s) attention was trained on the Mets and a young man from Rhode Island who was set to break the long standing records of two of the sport’s greatest—Ted Williams and Joe DiMaggio—and doing so in a single, monumental season, Jeremy was struggling with the failure of his marriage, alcoholism, and the near anonymity of a career that would change dramatically with just one scoop, a single byline that would set him apart from his colleagues and propel him from the dregs of mediocrity. Jeremy accidentally finds that scoop in his pursuit of Ricky, and in a moment of avarice, trades his personal integrity for career gain, opening a Pandora’s Box and releasing a storm of bigotry and intolerance upon Ricky, a gay athlete. “On a warm, wet June night, I said yes.” And at that moment, the moment Jeremy Rusch traded his soul for a story, my heart broke just a little for a fictional athlete named Ricky Fontana.

In the aftermath of Jeremy’s article that thrust Ricky from the closet in which he’d so adamantly guarded his personal life, many of his once adoring fans turned viciously on the player they’d so recently worshiped. What was once the fervor of veneration becomes vilification as a national debate rages over whether homosexual athletes should be allowed to play in professional sports. Touching upon religion, politics, and the way in which the campaign to support Ricky turns every bit as ugly as the crusade to crucify him, Fontana is a glowing and glaring example of the media’s (and the public’s) twisted infatuation with the private lives of public people.

Fontana is the story of a young hero whose meteoric rise and subsequent crash back to earth, puts him in the center of a Salem-Witch-Hunt that overshadows his incredible accomplishments in the sport that means everything to him. Ricky only ever wanted to play ball, but instead becomes the poster child in the raging debate over gay athletes. In spite of his best efforts to pay for his privacy, the public ends up taking its pound of flesh in their “right to know” everything about him, and in that violation, Ricky, a man of integrity and loyalty and incredible courage, remains strong and focused and succeeds in doing what many thought was the impossible.

And then, at the age of twenty, his legend both tarnished and secure in the annals of baseball, Ricky fades into history.

Fontana is a book within a book, a story that Jeremy has written chronicling his own personal losses and triumphs, as well as those of Ricky Fontana. It is both Jeremy’s personal account of that summer, as well as a series of interviews with Ricky’s ex-lover Peter Morgenstern, that comes together in an outstanding novel that should make everyone examine the need to label and the fascination with what goes on in the privacy of a person’s bedroom.

I cannot recommend this book highly enough. It will be a long while before I can think about Ricky and his struggles and triumphs without a lump coming to my throat and a tear coming to my eye.

**This title will be released July 16, 2012, and can be purchased HERE.

The Marrying Kind by Ken O’Neill

There are universally accepted themes in drama that are guaranteed to, if not draw tears, at a minimum will tug a bit at the heartstrings of every well-adjusted human being. Charming a reader into loving a character and then killing that character at the end of a book—sad. Tragic romance, star-crossed lovers destined never to have their happily-ever-after—sad. War, pestilence, famine—sad, sad, sad. Everyone can relate on some emotional level to those things.

Comedy, however—comedy can be a hit-or-miss proposition. Comedy is entirely subjective. It’s cultural; what a person finds funny may be influenced by race, religion, sex, or current state of mind. How else do you explain the Three Stooges? Or France’s obsession with Jerry Lewis? Carrot Top, anyone?

So when Ken O’Neill approached me about reading his debut novel The Marrying Kind, I have to admit I was intrigued. I feel like I have a pretty broad sense of humor, though I do have my limits. I think Joan Rivers is that limit for me. But I digress. If you don’t believe a topic as politically and socially relevant as the fight for marriage equality can be funny, you need to give this book a try, because Mr. O’Neill has managed to inject humor and heart into what many take for granted as an inalienable right.

The Marrying Kind is an Adam and Steve story. Literally. Well, technically it’s Adam and Steven. (Stavri, if his Romanian mother is really trying to get his attention.) But you get the point.

Set in New York City in 2007, before the state of New York boldly leapt from the dark ages and legalized same-sex marriage, the story follows Adam More and Steven Worth, who are six years into their relationship. Steven is a writer for The Gay New York Times, a small press, free publication owned and operated by his ex-boyfriend Brad, and Adam is in the business of catering to the institution of marriage. He’s a hugely successful wedding planner whose considerable talents are in high demand, but Adam’s career satisfaction begins to wane when thoughts of his own relationship and his commitment to Steven and his inability to make it legal juxtaposes how he makes his living.

When the hypocrisy of it all becomes too overwhelming, Adam decides to quit the wedding planning business, as well as to boycott anything that even marginally supports the heterosexual marriage agenda, and he and Steven embark upon a plan to rally the troops and make a statement about the injustice of it all. Caterers, florists, bakers—anyone who has a stake in the wedding industry is in some way influenced or affected by the Worth-More cause, but their cause also has a trickle-down effect when it creates drama within their own families.

This is the story of the moral dilemma between being true to oneself and doing what’s expected of you to keep peace within the family. Adam’s sister and Steven’s brother (who is a baker himself, whose business is directly affected by Adam and Steven’s cause) have finally decided to tie the knot, and they want Adam to plan the wedding, but not only does Adam refuse the plan it, he and Steven refuse to even attend it, (or any wedding, for that matter) which is a conflict that pits siblings against each other, and draws the family matriarchs into a guilt inducing, bribery making trip down the aisle of angst.

The conflict causes friction in Adam and Steven’s own relationship, as well, as they weigh conscience against loyalty, love against politics. Both sides have a point but neither wants to concede their point, until the guilt begins to consume Steven and his concession ultimately takes its toll on his relationship with Adam.

Told from Steven’s point-of-view, this book addresses an incredibly weighty topic, in an entirely charming way. It’s populated by a host of winning characters who help to tell Steven’s story. There is a particularly climactic moment at the end of the book that effectively drives home the point about the legal rights of partners that people like me, someone who’s been married for twenty-one years, take for granted until my eyes are opened to the inequity of the smallest technicalities that make a world of difference.

Not everyone wants or needs a piece of paper to seal their spiritual bond, but for those who do, for those who want and need it, they should have that right. It’s not a question of politics. It’s a question of compassion.

If you’re interested in learning a bit more about Adam and Steven’s movement, visit TheMarryingKind.Org

Pre-order The Marrying Kind HERE.

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