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Archive for the tag “Carina Press”

Trick of Time – The Next Installment In The JL Merrow-thon Of 2013

The play’s the thing… – William Shakespeare

In contemporary times, Ted Ennis endures. He understands loss better than most. Ted has borne a terrible, terrible grief, the result of a deadly accident that has left its share of scars behind. Plagued by the physical remnants of that accident, his employment options limited by his afflictions, Ted now works at the Criterion Theatre, thanks to the kindness of a friend. It is at the Cri, where the play “Wild Oats” is in production, that Ted’s life takes a turn toward the inconceivable, as he steps out for a cigarette and steps into the year 1886 and directly into Jem Pocket’s arms.

Jem is a whore by necessity, compassionate by nature, and accepting well beyond the limitations of the century in which he resides. His connection with Ted is immediate and intense, their affair beginning amidst the incredible odds against them, the futility of their situation compounded by the fact that Ted’s presence in the past may have already altered the future. It’s a conundrum, for sure, but like with any problem where love is involved, it seems there’s always a way.

Why is it that every time I finish a JL Merrow book, it seems the first thing I think is, oooh, I hope there’s a sequel, and that I think that whether there needs to be one or not? Trick of Time doesn’t need a sequel, I just want one.

Part of my fixation with this one has not only a lot to do with the fact that I loved Ted and Jem but also with the fact that it combined a couple of my extra-super-special-obsessiony-fangirl plot devices: time travel and rentboys. Oh, and it was set part of the time in the Victorian Era, so there’s that fetish too. It was the perfect fusion of so many of my favorite fictional brain-foods that it pretty well couldn’t miss.

It’s a story of the impossible wrapped in a romance of the improbable, and I loved every word of it.

Pre-Order Trick of Time here:

Men of Smithfield: Adam and Holden by L.B. Gregg

“Fear is that little darkroom where negatives are developed.” – Michael Pritchard

Holden Worthington wasn’t always stricken by panic attacks; at one time he was a world traveler who chronicled his global experiences in the books he wrote to make his living. But that was before his ex-lover betrayed him in front of Geraldo Rivera and all the general Geraldo-viewing population. Now, to a large segment of the Smithfield population, Holden’s just a hermitic, gay porn writing pariah, so he keeps himself to himself not by choice but by circumstance and fear. That is, until Adam Morgan enters the picture and suddenly makes Holden want to do things he hasn’t done or wanted to do for a very long time.

My first impression of Men of Smithfield: Adam and Holden was that it felt very claustrophobic. Odd, no? Well, yes, but it also sort of makes sense, and here’s why. This installment of the Smithfield series takes place almost entirely inside Holden’s house, because Holden is agoraphobic, you see, and his home is not only his sanctuary but his sanity, as well, which is why the story felt so close and crowded—the reader is wedged into a confined setting that’s helped along entirely by the tight prose of the author, who takes a man who panics at the mere idea of stepping across the threshold of his home, even to go only as far as his own backyard, and throws him a houseful of people to contend with, as well as a dead body that’s discovered behind his gardening shed; a body that’s discovered by Adam, a young man with a past and a disability, who is now Holden’s gardener…and his biggest temptation.

Did the gardener do it? Before that question can be answered, the cops have to figure out who the body is…was, and Holden also has to prove who it wasn’t, then prove he himself is not only innocent of murder but is also incapable of having committed the crime in spite of some very recent and inconvenient evidence to the contrary. And he has to do this all while dealing with an ex-lover, a philandering drunk of a brother, a soon-to-be ex-sister-in-law, a nosy priest, and a stern but loyal housekeeper. It’s enough to make anyone crazy.

Men of Smithfield: Adam and Holden does what this series has done so well from the beginning, with its intriguing little mystery paralleling the budding romance between two men who probably shouldn’t work, but somehow they do. These are not perfect men in a perfect world; they’re men who’re just a little bit broken but together shore each other up and make any- and everything a perfect possibility.

I just wish I knew there were more to come.

This Title Will Be Available on November 26, 2012 from:

A Reason to Believe by Diana Copland

“Obsession is a negative passion.” – Paul Carvel

One man’s twisted obsession turns to murder in Diana Copland’s tautly written and immensely suspenseful A Reason to Believe, the story of Detective Matthew Bennett and his involvement in the investigation of missing six-year-old Abigail Marie Reynolds, on Christmas Eve.

There are things that are horrifying; then there are things that are so utterly beyond comprehension, things that defy reason and sanity, the sorts of things that give you nightmares and haunt you through your days, that leave you scarred and scared to believe in anything good anymore. In the life of a cop, that’s a little truer than for most. In the life of Matt Bennett, it seems to be the rule rather than the exception. Left devastated by the murder of his partner and lover, in a sad case of being in the wrong place at the wrong time, Matt is the detective who discovers little Abby’s body. But it wasn’t jarring enough to have made the gruesome discovery. No, it was made even more disturbing by the fact that it was little Abby herself who led Matt to her dreadful hiding place in the basement of her own home.

Thrown off the case and put on administrative leave for doing nothing more than telling the truth, Matt is forced to stand on the sidelines and watch as his department bungles and botches its way through an investigation with no leads and no other viable suspects than Marc Reynolds, Abby’s father—or at least none they’re pursuing. Though Matt’s own instincts tell him the man is innocent, that’s not much to go on when his opinion holds little to no credibility with his homophobic boss, who now thinks he’s delusional, as well, and is looking for any reason to fire Matt. Desperate times sometimes call for desperate measures, and sometimes desperate people—even those who are jaded and those whose job it is to deal in tangible proof—will do whatever it takes to get to the truth.

That’s where renowned medium Kiernan Fitzpatrick comes into play, and it’s when he and Matt begin to work together to solve Abby’s murder that things take a turn for the incredible. It’s a race against time, as Abby’s spirit becomes more agitated that her father is in danger of being convicted of a crime he didn’t commit. It’s a race against the odds as the physical danger to both Matt and Kiernan escalates, the closer they get to the ugly truth and the more evident it becomes they’re fighting against men who’re supposed to be the good guys.

A Reason to Believe is the perfect blend of murder mystery, romance, and the supernatural, and if you look closely enough, you might make some connections to the case of another murdered six-year-old girl; though in the book, unlike in real life, justice was served. This book was an edge-of-my-seat, couldn’t-put-it-down read, with a red-herring or two thrown in just to keep me guessing at the identity of the killer, all the way to the big reveal.

Not only were Matt and Kiernan completely wonderful in their roles as romantic heroes of the story, but Diana Copland also populated her entire cast with the perfect blend of both the good and the bad, and I’d love nothing more than for Matt and Kier to take this paranormal crime solving business seriously enough to come back again and again. And soon.

Available In All E-Formats Here

The Men of Smithfield: Seth and David by L.B. Gregg

“I don’t know if you’ve ever noticed this, but first impressions are often entirely wrong.” – Lemony Snicket

I feel like I’m getting really redundant when it comes to L.B. Gregg’s books. I mean, honestly, ::pfft:: she makes this storytelling business look so flipping effortless ::yawn:: that I’ve run out of ways to give up the booyah! without repeating myself. ::headdesk::

Recap:

Brings the funny – check
Delivers the shmexy – check
Throws in some drama and suspense – check
Perfect timing and fast paced – check
Awesome couple – check and double check

Seriously, what more is there to say? “The Men of Smithfield” series, now three books in, with one more to come, population – fab, is one of those series I can see myself reading over and over again. In fact, I’ve already read Seth and David twice. Why? I’m not even sure I can answer that without being redundant.

So let’s look at the facts: Seth Weston is really a bit of an arse, not on purpose I don’t think, he just can’t seem to help opening his mouth and inserting his giant, erogenous feet into his big old gob. He’s grumpy, bossy, judgmental; he had intimate relations with a massage table… Oh yeah, he went there because David Cooke was just doing his job, poking and prodding and soothing all of Seth’s non-sexual bits and pieces, but it felt so damn good that Seth exploded right there between the sheets while birdies warbled and Celtic music thrummed ethereally in the air like a backbeat to some new age-y porn flick.

And let me tell you this: David Cooke was not amused.

David is every single thing Seth never thought he wanted: tattooed, pierced, fey…an underachiever. But see, Seth was guilty of the sin of judging a book by its cover, when that book was far deeper and more complex, far more eloquent and enigmatic, than Seth could ever have imagined, and it isn’t long before Seth wants to dig into the story of David and try to unravel all of his infinite surprises.

The Men of Smithfield: Seth and David is the story of two men who are entirely opposite but end up having one very important thing in common. Two small things, actually, two little girls they love. Okay, maybe there’s a third bigger thing too; they can’t keep their lips and hands off each other, and it’s that irresistible attraction that becomes a foundation for their family.

A deadbeat dad, a jealous ex, blackmail, kidnapping: there’s plenty to keep things interesting in this one, start to finish.

Buy Men of Smithfield: Seth and David in E-Pub Here

All Other Formats Here

Mistletoe at Midnight by L.B. Gregg

“‘Maybe Christmas,’ he thought, ‘doesn’t come from a store. Maybe Christmas… perhaps… means a little bit more!’” – Dr. Seuss

I know it’s a little early to be pushing holiday books. Or maybe, in this case, I’m a little late, seeing as how this book came out in December of 2010. Well, better late than never, as the saying goes, which is pretty much what this lovely little Christmas romance is all about. It’s about the one that got away; it’s about second chances and the fact that it’s better to be fifteen years late reconnecting with your first love than never to have reconnected with him at all. It’s about having everything to gain and nothing to lose and stripping away all the boundaries you’ve built around yourself and embracing the one from your past who will, from this day forward, be your future.

Caleb Black left Owen McKenzie when they were both just eighteen-years-old, but not by his own choice. Caleb was the kid whose father couldn’t stand the thought of having a gay son, so he sent Caleb away to military school to rid himself of the daily reminder of his son’s perceived shortcomings. Caleb couldn’t find it in himself to say goodbye to Owen, and as the weeks turned into months, the months to years, enough time passed that Caleb began to believe in the suggestion that maybe what he and Owen had shared was more fiction than fact in Caleb’s mind, and it was best to leave the past buried in the past.

Enter one meddlesome brother and a best friend who both know neither Owen nor Caleb have ever truly gotten over each other; mix that with an ex who shows up at a decidedly inopportune time, a huge measure of serendipity, a snowstorm, as well as a sprig of mistletoe, and you’ve got the makings of a full-circle romance between two men who’re meant to be, though it took some help to connect the dots, and a long time for them to come together and close that circle.

Mistletoe at Midnight is a story about a first love that’s ingrained so deeply inside that it feels as though it’s always been a part of you, a feeling that never faded but was there all along, and all it needed was for a spark to be lit in order for it to burn again. It’s that love that’s the true gift and the miracle that makes this novella a pretty wonderful and very feel-good sort of read.

Buy Mistletoe at Midnight in .ePub HERE, and .mobi HERE.

Men of Smithfield: Max and Finn by L.B. Gregg

“At the first kiss I felt something melt inside me that hurt in an exquisite way.” – Hermann Hesse

Michael Finnegan has been called a lot of things in his life: unorthodox, lax, a slutty nonconformist, which, when you’re standing in a man’s office with your fly unzipped and your naughty bits exposed after you’ve just thrown yourself at him and he’s just taken you over his desk…then fired you… Yeah, those are difficult character definitions to overcome. But Maxwell Douglas does something to Finn, makes him feel things he’s never felt before—namely, Max makes Finn feel humiliation and regret, more than anything at times, for his attraction to the cold and imposing Marine-turned-security-specialist. But Max also makes Finn feel alive in a way he’s never felt before, and Finn will stay alive if Max has anything to say about it.

Hemmi Sparks is one of Finn’s privileged students at a tony prep school in Smithfield, who, it appears, might be in some danger from a fan who’s been creeping on Hemmi’s celebrity father. Enter Max, who has been hired to make like Hemmi’s shadow at school, and what you get is a fair amount of friction between two men that seem determined to be little more than the thorns in each other’s sides. That is, if they could keep their hands and lips to themselves long enough to discover there’s something more going on between them than just sex and conflict.

There’s also much more going on at Dalton Prep High School than a celebrity stalker, and it soon becomes evident that the threat to Hemmingway Sparks may be a home-grown kind of danger that’s targeted at someone other than just Hemmi. It’s a danger that will drive the typically unshakable Max Douglas to distraction, and is a danger that’s so impossible for Finn to imagine that he makes the near-fatal error of underestimating the power of crazy. But, as they say, that’s show biz.

Men of Smithfield: Max and Finn is dependably good entertainment from L.B. Gregg. 99% of the fun of this author’s books is the witty banter, the comedic internal dialogue of her first person narrators, the frequently hysterical situations her characters find themselves in (everyone knows the toaster is the kitchen’s bravest appliance, after all), not to mention the sizzling sexual chemistry between her heroes. The other 1% is just everything else a great read can and should be, and those are the things that make me burn through her books, while, at the same time, wishing they’d never end.

Buy Men of Smithfield: Max and Finn in EPUB format HERE, MOBI/PRC HERE.

The Druid Stone by Heidi Belleau and Violetta Vane

“Sometimes up out of this land a legend begins to move.” – William Stafford

Sean O’Hara is a Cuban/Irish American with a steady job and dreams to pursue, even if the rest of his life isn’t quite so steady. His only family tie is to a cousin, but otherwise, Sean has no other connections to either side of his ancestry. The world of his subconscious, however, is a very different story; it is a place he’s become tethered to by a generations old family curse that causes him to relive the same nightmare over and over again, in an Ireland that hasn’t existed since 1920. In order to regain control of both his life, and quite possibly his sanity, he must pursue even the most unlikely of answers to the questions that were lost nearly a hundred years in the past.

Cormac is descended from a long line of Druids, and he knows as well as anyone that when it comes to the sidhe, anything’s possible, especially when the walls between the here and the there are at their thinnest. Sean is very much in need of Cormac’s talents, but Cormac, in spite of all he knows that exists in the slantways realms of reality, is skeptical of Sean’s story, not to mention is suspicious of his motives, though that quickly changes when a trip to a fairy mound turns dangerous and a stone that Sean has in his possession opens a floodgate of questions and painful memories for Cormac.

Everyone knows you never bargain with the sidhe, everyone knows there’s a price to pay if you try and aren’t very careful with every nuance of the transaction, and everyone should also know you never, ever question fairy tales because as soon as you do, those fantasies of the world that’s just on the other side of the space between could very well become a reality. And when it does, the reality could very much become the nightmare.

Some books you just can’t help but think of as epic, and for me, The Druid Stone is definitely one of them. It is steeped in Gaelic legend, in a land where the Fir Bolg and the Tuatha Dé Danann once reigned—and still do if you believe. It’s the coming together of mythology and the journey of two men who must heal their pasts before they can reconcile their futures.

The Druid Stone is a romance, as well as the romancing of a country that is itself a perfect fairy tale. This is a book filled with wonder and lore and magic and danger and sacrifice and the bridging of that tenuous gap between a common goal and an uncommon bond, and I adored every word of it. It’s a plot heavy book, definitely not one you can read with your brain in neutral, that sweeps you along through a myriad of twists and turns, through time travel and through the lives of the two men who move the action along, sometimes with a methodical precision, sometimes at a break-neck pace, always with an eye toward keeping the reader engrossed in every moment of the journey.

The Druid Stone is available for purchase on August 6, 2012, HERE.

Men of Smithfield: Mark and Tony by L.B. Gregg

Meet Mark Meehan and Tony Gervase: my new addiction. Actually, I suppose that will apply to all the men of Smithfield, Connecticut, once I’ve had the opportunity to meet the rest of them. No, not all. There are a few resident dirtbags there, but for now, I’ll focus that addiction squarely on Mark and Tony.

If ever there has been a couple doomed to poor timing, it seems it’s these two, as life and circumstances continued to wear away at the very foundation of their connection—a friendship that could’ve been so much more if Mark hadn’t been too young and Tony hadn’t been too scared, and if there hadn’t been another man standing in the way (see: dirtbag) who ended up causing no small amount of trouble for both Mark and Tony, and kept Mark so utterly oblivious to the obvious—the fact that Tony has been and always will be there for him because, hello, Tony loves him. I guess there’s a reason they say love is blind.

Albert Einstein once said, “The only reason for time is so that everything doesn’t happen at once,” but boy, does Mark put that theory to the test because as soon as he walked into church and concussed the hell of out his suddenly ex-boyfriend, Jamie Dupree—with a Bible, no less (which is also the precise moment I started loving hard on Mark)—it seemed like that’s when time and trouble tangled into a big ball of Mark not being able to outrun or out-think any of it. But he did discover one thing in the whole process: he had Tony, and that’s really all that mattered in the end. Well, that and the fact that he survived in spite of it all.

I loved this book, loved Mark’s voice, L.B. Gregg’s humor and style and the way she provided just enough backstory for Mark and Tony’s relationship to hook me without getting bogged down in too many flashbacks to build the foundation for their romance. I love exposition as much as the next person, but sometimes I need it more than others to buy into a connection. With Mark and Tony, that bond was almost tangible and in this case, seeing really was believing, so I didn’t feel at all as if I’d been deprived of anything that’d come before. All I know is that what happened during was fun and manic and sexy, and now I can’t wait to see what’s in store for the rest of the Smithfield men. I don’t know if I’ll be seeing Mark and Tony again along the way; if I don’t, I sure will miss them.

L.B. Gregg is re-releasing the Men of Smithfield series with Carina Press, beginning August 6, with Men of Smithfield: Mark and Tony. There is no Pre-Order/Buy Link available at the time of this post.

Rogues (Brook Street #3) by Ava March

“The difference between friendship and love is how much you can hurt each other.” – Ashleigh Brilliant

Linus Radcliffe and Robert Anderson have been friends for eighteen years, have even, on occasion, been friends with benefits in spite of the fact that Rob is an aggressively straight man, as committed to finding his next widow or unhappily married woman to bed as Linus is devoted to homing in on the next willing man he can use to slake his lust.

Robert was Linus’ first—his first man, his first kiss, the first to touch Linus’ in all his most intimate places, but over the course of their friendship, Linus has willed himself to let go of any hope he’d once held that he and Robert would ever be anything more than just friends. Linus hasn’t given up on having Rob in his life but has come to accept that, in spite of the pain of surrendering a dream, there are simply some things that are not meant to be, and a future as Rob’s lover and partner is one of those things.

It seems, however, that regardless of Linus’ hard fought intentions to keep the status quo of their relationship intact, Robert has inexplicably become determined to redefine the parameters of whatever it is that’s been going on between the two of them over the course of nearly two decades. Robert’s serial philandering suddenly isn’t so appealing to him anymore, and being forced to watch Linus make his way through the men of the ton hurts in more ways than Robert can express verbally, so there’s little left for him to do but to let his actions speak for him, determining that it’s time to go on the offensive and storm the walls Linus has built to define their friendship and to protect his heart. Robert launches a full-frontal assault in declaring himself and his wants. What he doesn’t expect, however, is for Linus to go on the defensive and thwart the attack so effectively.

Linus understands that Robert tends to want what he can’t have, which makes Robert’s pushing of the boundaries that’ve been safe and comfortable, if not altogether pleasant, all the more painful, for Linus feels he has no choice but to repel his friend’s advances. The harder Robert pushes, the further Linus retreats with the fear that even the slightest change in the circumstances between them will cause an outcome that Linus absolutely could not bear. Not having a forever with Robert is difficult enough. Not having an anything with Robert is intolerable.

So, when there’s nothing left to do but to do something that feels a lot like surrender, it’s Robert who concedes. For Robert, the only course of action is his own inaction. In order to keep Linus in his life, in whatever capacity Linus is capable giving, Robert must let go and send up a silent prayer that whatever lies within Linus’ heart and whatever will come of it, that he, Robert, is worthy and will be enough.

It’s truly something when you can say a book isn’t your favorite in a series, yet are still able to say that you loved it, all the same. Brook Street: Rogues is that book for me. While there weren’t the challenges of the social inequities of Lord Benjamin and Cavin’s relationship, the sexuality conflicts of Sasha and Thomas’, or the betrayal of Oscar by Julian that delayed their happiness, there was a definite poignancy in this friends-to-lovers story: the fears of destroying a trusted bond, the acceptance that friendship is enough, and the sure knowledge that discretion is a fair price to pay for a forever love.

Buy Brook Street: Rogues HERE.

Fortune Hunter (Brook Street #2) by Ava March

“Love is a state in which a man sees things most decidedly as they are not.” – Friedrich Nietzsche

Oscar Woodhaven may be the loneliest man in all of London in spite of the fact that he’s young, excessively wealthy, a member of the London ton, and has a small but loyal group of friends with whom he associates. One would assume that Oscar’s life was both filled and fulfilling but one would be wrong because despite the fact that Oscar’s social calendar is indeed full, he is still an incredibly lonely man who is rarely appreciated for who he is but for what he has.

The death of his parents saw Oscar taken in by an aunt and uncle who did little more than tolerate his presence and milk his insecurities because it bought them a comfortable life. They didn’t want Oscar himself but they certainly did want the inheritance and all the property and prestige that accompanied him when they claimed him. Yes, Oscar has trust issues because for most of his life, people have seen him not for the priceless gifts he can give of himself—kindness and loyalty and friendship—but for the material objects and status by association his wealth can provide.

Julian Parker, a black sheep by virtue of being born into the wrong flock of Lord Benjamin Parker’s family, returns to London from America, penniless, saddled with his father’s poor reputation, without social prospects, and in search of a wealthy woman to marry in order to secure his financial future. Marriages of convenience were more the rule than the exception in London society, after all, so not being at all attracted to, let alone in love with the woman he settles on isn’t much of an excuse for Julian not to blindly pursue his objective, and meeting Oscar proves to be a most fortunate advantage for this poorest of the Parker clan.

Who better than the wealthy and connected Oscar to help Julian gain entrance to the social circles he must infiltrate in order to accomplish his goals? And it’s with the best of intentions that Oscar opens his home and purse in friendship to Julian. But, of course, the road to hell is paved with good intentions, and the road to love is paved with broken hearts, and some of the most painful lies aren’t the ones you tell but the ones you purposefully omit. When Oscar quickly becomes so much more than a benefactor to Julian, it’s those lies by omission that prove to Oscar he has been seeing things most decidedly as they are not, which leaves Julian with nothing else to do but to prove to Oscar that love is not a deception and that the Julian who was is not the Julian who will be—a man in whom Oscar can place his trust and the man who will love Oscar for who he is and not for what he can buy.

Brook Street: Fortune Hunter is the story of the worth of a man and the weight of his integrity. It is the story of a man who gambles away love and friendship along with his self respect, and loses far more than he’s prepared to pay. Julian Parker must determine the value of his character, the cost of his convictions, and determine what he’s willing to forfeit in order to gain, not the least of which is his own honor and the respect of the man whose worth is immeasurable.

There’s a definite blueprint to each book in this blueblood series, a design I’ve been more than happy to follow to each happy ending that Ava March has constructed from the conflicts her characters navigate. Redemption and second chances are won only after the men suffer for the love of the other, each reward coming at a price but one each man is willing to pay in defiance of what society demands, for the sake of his own happiness.

Buy Brook Street: Fortune Hunter HERE.

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