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Archive for the tag “Jordan Castillo Price”

Mnevermind 1: The Persistence of Memory by Jordan Castillo Price

Daniel Schroeder lives in a world where dreams and fantasies can be bought for the right price. It’s an intriguing proposition, the idea of being able to fulfill an ambition, to achieve the unachievable, to participate in the illusion of sex with a virtual stranger without the complication of awkward entanglements and empty promises. Daniel has even created his own program in which the participant is left with the impression that for just a moment in time, life is a journey filled with wondrous contentment. And it worked—until one time it didn’t, and the things that weren’t supposed to last, the memories that weren’t supposed to imprint did, altering the perception of reality and making the illusion permanent.

A mnem isn’t designed to last; it’s designed to be a mnevermind, like a story that the subject writes with a beginning, middle, and end that a sherpa like Daniel is paid to orchestrate. He’s a tour guide of the subliminal who enters the mnem, doesn’t interact with the subject or manipulate the illusion, but is there to make sure it comes to a safe and satisfying conclusion. The routine is so familiar to Daniel that he could pretty much do the job with his eyes closed; there aren’t many surprises, until the day he enters a mnem and meets a man in black who is tangible and sentient and becomes a part of Daniel’s existence.

Elijah Crowe is that man and he is an enigma. He’s able to be where he shouldn’t be, and he becomes a near obsession for Daniel. They relate to each other on a visceral level in their fantasy world, where they talk and touch and kiss, then Elijah disappears and leaves Daniel to decipher the puzzle of who he is and leaves him determined to find his man in black in the real world. When he does, though, Elijah is nowhere near the same sexy and confident man he is within the mnems he prowls.

Mnevermind 1: Persistence of Memory is just the beginning of the mnem, so don’t expect a tidy middle or end to this chapter in the series or you’ll definitely be disappointed. Just expect an outstanding story from an author whose imagination shines brilliantly, and you’ll get exactly what you’ve paid for. The only reason I was disappointed when this book ended was because I knew I was going to have to wait for Daniel and Elijah’s complicated connection to tease out.

Buy Mnevermind1: The Persistence of Memory HERE.

The Starving Years by Jordan Castillo Price

Many, many…way too many years ago than I care to remember, I watched a movie called Soylent Green, starring Charleton Heston. Set in a dystopian future, in a horrifically overpopulated New York City, Heston played an NYPD officer investigating the murder of one of the higher ups in the Soylent Corporation, a company that had developed a new source of food in the form of a wafer called, what else, Soylent Green. Even with this new source of nutrition, however, food was still at a premium and riots were par for the course, as people fought for every scrap they could get their hands on in an effort to stave off starvation.

Soylent Green was reportedly made from algae or seaweed or some sort of ocean plant life, I can’t recall specifically after all these years, but as Heston digs deeper into the murder investigation, certain disturbing details come to light, not the least of which is that the plant which Soylent Green is supposedly made from no longer exists in the mass quantities the company would need to convert it to food. And the plot thickens. ::insert dramatic music here:: To make a long story short, what Heston ultimately reveals is that–and this is the only line in the entire film that has stuck in my head for all these years–“Soylent Green is people! Blech. The Soylent Corporation had effectively turned the entire population of the earth into cannibals. Now, I didn’t say this was a good movie. I only said I’d watched it.

So, what does this have to do with Jordan Castillo Price’s The Starving Years? Admittedly, not so much, though as I was reading the story, there was obviously enough there to trigger memories of this movie. But The Starving Years is light years beyond Soylent Green in terms of quality, and Manna really is made from plants, though that whole cannibalism thing…well, you’ll just have to read the book to figure that one out.

This is a David vs. Goliath story, David (or in this case, several Davids) being a small group of strangers brought together by chance and circumstance that band together to topple corporate giant Canaan Products, the leading producer of the food source Manna. There is no scarcity of the product. In fact, quite the opposite is true. Manna is available in abundance. Yet still, the appetite for more is never sated.

This story is part corporate greed, part social activism–whistle blowers who use the media to their advantage, the supposedly fair and unbiased media that uses good and honest people as playthings to manipulate and boost ratings and to sensationalize the news. This is the story of corporate America and the way in which the general public relies on those corporations to conduct their business fairly, when all the corporations truly care about is their fiscal well being. We trust that the food we consume is safe, but sometimes trust is misplaced. This is the way in which big business drug manufacturers hold the infirm hostage by pricing their medicines so outrageously high that the average person must weigh and measure his pain against the cost of the pill that will help him. The corporate party line is the bottom line.

Jordan Castillo Price tells this story in the third person, from three different perspectives: Nelson Oliver, the brilliant scientist who tries his best to appear shallow and one dimensional; Javier de la Rosa, the taciturn and scarred journalist who has trust issues; and Tim Foster, the computer wiz, the Voice of Reason, and a man whose loneliness and social awkwardness allows him to reach out and to trust a group of total strangers with the hope that they might one day become friends.

They, along with Randy and Marianne, meet just as New York City is falling into a state of social chaos–riots, looting, and general mayhem have turned the city into a near police state. The people are mad as hell and they’re not going to take it anymore, to borrow the quote, and the group is determined to use any means at their disposal to figure out exactly what it is that Canaan Products is hiding. And discover they do, when the city’s children start being taken into police custody.

How can people have unlimited food supplies at their disposal and still be starving? The same way New York City is home to millions of people, and Tim is still lonely, I guess. Nelson, Tim, and Javier are as starved for a human connection in the same way a man can be hungry for food. Starvation comes in many different forms. But that’s the easy explanation. The actual truth lies buried within a chemical composition that only Nelson can decipher, and when he does put all the pieces in place, it creates a frightening picture.

JCP had a story to tell, and tell it she did. In the end, I found myself wishing there’d been just a bit more focus on the developing relationship between Nelson, Javier, and Tim, but if there had been, it might have taken too much focus away from the main storyline. The fact I wanted to know more about the three men is nothing more than a testament to how well I loved what was there.

Buy The Starving Years HERE.

Sleepwalker by Jordan Castillo Price

Sleepwalker is a difficult book to categorize. There’s a little bit of mystery, a little bit of…not so much romance as much as there is a beginning of what could be a fine romance, and a little bit of personal turmoil for Dan “Web” Weber, a man who’s struggling with an affliction named George. And if you want to read even more into it, this could also be seen as a great argument for healthcare reform.

This post contains what might be considered spoilers, so click if you’d like to continue reading.

Read more…

My Lost Weekend With Michael and Wild Bill


I spent two days zigzagging throughout the Midwest, including spending some time in the stinkiest city in the US–Terra Haute, IN–ended up in Vegas, and never even left the comfort of my own home. I spent those two days buried deeply in the ten short stories/novelettes that comprise Jordan Castillo Price’s Channeling Morpheus/Sweet Oblivion series.

The paranormal sub-genre (vampires/werewolves/shapeshifters) has been done to death over the course of the past several years, which is why it took me so long to get around to reading this series. I’ve been a long time fan of JCP’s PsyCop books. In fact, Victor and Jacob are right at the top of my list of all-time favorite fictional couples, so it wasn’t anything other than my own paranormal burnout that kept me from digging into Michael and Wild Bill’s world. After all, how many permutations of the vampire mythos can there be, really? Bram Stoker introduced Dracula to popular culture over a hundred years ago, and authors have, ever since, been re-creating the mythology and giving it new twists to keep things fresh and expanding on all the metaphors for sex. But even still, there’s only so much that can be made new from an old concept.

Or so I thought.

Jordan Castillo Price has put her definitive stamp on some of the old tropes, keeping some concepts in tact while debunking others, to give Wild Bill and the rest of her vamps an original and uber-erotic spin in the centrifuge, definitively separating them from the herd. There’s no need for metaphors for sex in this series, because the sex is entirely literal and incredibly seductive.

Michael and Wild Bill are two halves of the same whole, in an entirely symbiotic relationship that survives, thrives, and has become a physical and emotional imperative that connects them in spite of the fact that they sometimes practice an open relationship. They are distinct yet entwined by something deeper than love. They’re bonded by blood and a metaphysical link that makes it impossible to think of one without the other. They’re yin/yang and it works perfectly within the circles in which they move.

This is one of those series I can see myself reading over and over again. Why? What makes some books immanently re-readable? For me, it’s something that all my favorite authors do better than others: dialogue. It isn’t enough to simply tell a story. What is essential for me is to “listen” to the characters and the way they speak, the way they relate to each other, the way they interact and react to each other. That’s not to say plot is unimportant; it is. But becoming emotionally invested in what’s happening in the lives of the characters is the ultimate payoff.

And I feel like I hit the jackpot with Michael and Wild Bill.

BUY LINKS:

Channeling Morpheus (1-5) Bundle

Sweet Oblivion (6-10)

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