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Archive for the tag “Loose-ID”

The Chimera Affair by Keira Andrews Is An Affair To Remember

Love is the most difficult and dangerous form of courage. – Delmore Schwartz

So, I found this lovely little short story called The Argentine Seduction that I glommed onto when Loose ID was offering it for free as promo for their Spring Fling collection, which is also when I snatched up Anna Zabo’s Slow Waltz. At the time, I had no idea that these tasty little morsels were snippets set within the worlds of their full length novels, something I learned very quickly after I read “Waltz”, so—and here’s what a quick learner yours truly is—unlike I did with Slow Waltz, I picked up The Chimera Affair and read it before I read The Argentine Seduction. Pretty smart, right?

And I also finished “Chimera”, all three-hundred and four pages of it, in roughly…hours. Think I maybe liked it just a little bit? Well, really, what’s not to love about an action packed story filled with danger, espionage, international intrigue, and seduction?

Kyle Grant is the spy in this passion play; Sebastian Brambani is the mark whose father is not only the criminal element in Kyle’s latest mission, but Sebastian’s also the young man who’s about to turn the coolly detached operative’s world upside down. The elder Brambani has something Kyle needs to get his hands on, something that, in the wrong hands, could prove fatal for a lot of innocent people. The something Kyle ends up getting his hands on, though, is Sebastian, and Arrigo Brambani would rather see his son dead than in the arms of a man.

It’s a shoot-to-thrill, play-to-kill game of outwit the bad guys, and Sebastian is the pawn that Kyle’s willing to manipulate to get what he wants, which means keeping him alive at all costs. But what begins as a cold and calculated maneuver to get hold of the Chimera becomes a genuine game of hearts in which the two men gamble on love, an ante that may be too rich a promise to keep in this line of work.

Keira Andrews pulls this one off in a big way, with cover-to-cover action, exciting locales, and two characters I can’t wait to read about again and again. Kyle was the perfect blend of sophisticated agent for whom the mission is everything, and the lonely man for whom life is a lot less empty now that he’s found The One.

Sebastian is a little bit innocent, a little bit hopeful, a whole lot intelligent and is no one’s shrinking violet, doing what needs to be done when it needs doing, whether he believes in all his strengths or not, and whether he believes he can trust Kyle or not.

The next mission has been assigned and danger is guaranteed to await these two men. I have no doubt that whatever is waiting for them on their next mission, I’ll be there to be sure they make it through.

You can buy The Chimera Affair HERE and The Argentine Seduction HERE

The Brothers Grime: Grime and Punishment by Z.A. Maxfield – Hello New Obsession

Fear not for the future, weep not for the past – Percy Bysshe Shelley

I have a savior complex. No, not the kind where I think I’m the Messiah or something. I’m talking about the kind of savior complex where I think, “Oh look, a book about a couple of damaged men who have to overcome a tragedy and a broken past so they can fall in love. I can fix that.” And then I buy said book and think, “Phew, good thing the author did all the work for me so I could sit back and fall in love with the men in the book who overcome a tragedy and a broken past and fall in love with each other.” It’s such a great relationship we readers have with these writerly types, isn’t it? It’s like being a second-hand savior, which is so much less work.

Z.A. Maxfield has begun another series, as if I weren’t already obsessed enough with that of the St. Nacho’s variety, but now I get to start obsessing all over again on a new one, The Brothers Grime, and the first book, Grime and Punishment, the story of ex-firefighter Jack Masterson, a man whose disability suffered in the line of duty has forced him to leave the job he loved and turn his talents in a new direction—crime scene clean up.

Jack doesn’t do much field work himself these days, having become successful enough to hire a team of workers to handle the hands-on part of the business. But when his friend, sometimes buddy-with-bennies, and full-time closeted police officer Dave Huntley, calls with the news that Nick Foasberg has committed suicide, well, Jack has no choice but to rush to the scene. Love and loss and lies and pain and a purgatory of self-denial have an uncanny way of motivating a man to revisit a past he’s never overcome.

Ryan Halloran did what he could to help his cousin, but there’s only so far a man can go before every effort merely ends up leading one step closer to the inevitable. Nick committing suicide in Ryan’s bathroom stole the man’s home and sense of security from him, which is why Ryan needs what Jack is there to offer—his company’s talent for erasing the stains of violence left behind for the survivor to bear. It’s not as easy a decision as it sounds, though, for Ryan to make. See, Ryan knows full well—or at least he thinks he does—the history Jack and Nick shared. But when the past comes clean with all its secrets and truths, secrets and truths that weren’t anyone’s but Nick’s to tell, they threaten to collapse the bridge the two men have begun to build between the past and the present.

Grime and Punishment is a story of redemption and second chances in all its humanly complicated finery, especially if you love flawed characters who seem determined to keep wrecking their own chances at peace. Not only is there plenty of emotional substance to sink your heart into, but there’s also the very simple fact that ZAM has come up with another great couple of MCs whose verbal skills rival the non-verbal for a practically perfect validation that they should continue to investigate what’s happening between them. There’s also the added benefit of a potentially interesting character in Dave Huntley, which, when all’s said and done, has put me on full alert for round two.

You can buy Grime and Punishment here:

In Which I’ve Discovered That Having Mercy Is A Really Good Thing – Behind Iron Lace & The 51st Thursday by Mercy Celeste

No man is rich enough to buy back his past. – Oscar Wilde

Darcy Butler moved from Oregon to New Orleans, following the woman he’s been in an on-again-off-again relationship with for the past decade. It’s a new beginning for the online magazine he’s made a success of, even while the economy has made it difficult to build a business, and Darcy’s friendship with Bailey, one that happens to occasionally include sex, is a habit he’s formed over the years, so following her didn’t necessarily make sense as much as it was just a case of abiding the status quo. It’s a relationship that has become a convenient crutch for Darcy, but it’s about to become painfully obvious that he’s been wasting far too much time living a lie.

Landing an interview with award winning photographer and artist Caleb Mitchell was a stroke of good fortune and exactly what the magazine needs—Caleb’s vision and talent to help revamp the graphic art department and take the publication to the next level of polished professionalism. But, oh, Caleb is far from a polished professional. He’s a sublimely seductive, smooth talking French Cajun, whisper that in my ear one more time, bebe! sex god, and he takes an immediate interest in the very straight, very staid Darcy, something Darcy isn’t at all flattered by or interested in exploring.

Until, of course, he is.

Darcy has never been interested in men, and outside of Bailey, has never been particularly interested in women either. Mediocre sex is all he’s familiar with, so he has no idea there’s any other way for it to be. But Caleb is eager to seduce the man he can’t seem to keep his eyes or hands or lips off of, and eventually, he smooth talks his way behind Darcy’s walls of resistance, obliterating Darcy’s belief in his heterosexuality and blurring the lines between what’s lust and what could grow into so much more in the space of just a few days, and proving beyond all reasonable argument that sex and mediocrity don’t belong in the same frame of reference.

The sex these two guys partake in is about as hot and steamy as the city of New Orleans herself, though Darcy grows much fonder of one than the other, which is a conflict that bubbles just beneath the surface of whatever it is that’s going on between these two men. Their story is complicated by lots of drama and doubt and ghosts of the past that hang on like a miasma of self-abuse, the kind of pain that won’t allow for anything like peace. It’s a torment that Caleb eventually misuses as a weapon against Darcy and one that nearly ruins everything they could need or want from each other.

Four hours. That’s exactly how much sleep I got while I was reading this book. I didn’t want to put it down; then once I did, I think I must’ve dreamt about it because I couldn’t wait to wake up and start reading it again. I’d be lying if I said Caleb didn’t make me want to go all Gomez Addams on him every time he spoke. (And if you get that reference, give yourself a pat on the back.) Basically, I wanted to attack him with my lips. I know, that sounds a little scary weird, but it’s truthiness wrapped in weirdity, so there you go.

I really, really liked this story a lot, though, for reasons that go beyond my obsession with Caleb and Darcy. I loved the struggle and the tragedy and the passion and the rage inherent in their relationship, as they fought not only each other but the things that’d already happened, things they couldn’t change, but things that intruded on their relationship nonetheless, things that brought them to the breaking point and forced them to face the question of whether they could be together and build a future with each other.

You can buy Behind Iron Lace here:


Life isn’t about waiting for the storm to pass. It’s about learning to dance in the rain. – Vivian Greene

Shelby Bainbridge has made a habit of living his life the way everyone else, especially his Senator father, the same father who has presidential aspirations, has dictated he should live. Once a ‘Bama football star, now nothing more than the shell of a broken man, Shelby has made it a habit of showing up at Deacon’s Place every Thursday for the past year of Thursdays, for a few beers, and, if he’s lucky, to find a woman who’ll take him home and make him forget who he is and everything he’s lost for a little while.

Joe Deacon is the proprietor of Deacon’s Place, and has been watching Shelby, each and every one of those Thursdays, not knowing who he is or what his story is, though he knows it’s not a happy one. On the night a hurricane is bearing down upon the city of Mobile, Deacon doesn’t hold out much hope he’s going to see “Thursday” at all that night, something he realizes he’s come to count on, but he’s seriously underestimated just how much the “come-for-the-beer, stay-for-the-atmosphere” routine means to the man Deacon has taken an intense interest in.

Playing out against the threat of a storm the likes of which neither man has ever experience—and I’m not talking about the hurricane—Deacon and Thursday give in to their mutual attraction to each other, creating a firestorm of need and emotion that leaves them both reeling and causes Shelby to run away as soon as Mother Nature’s storm blows over.

There’s too much baggage and too much pressure weighing Shelby down to allow him to admit he wants Deacon for so much more than just that one night of passionate sex. It’s too much for him to process, knowing that if he’s outed it’s going to cause a shit-storm for his father’s presidential run, not to mention throw him and whomever he’s involved with into the media spotlight. It’s so much better that he hide from himself and from the truth that he’s gay than it is to deal with the repercussions. Or it would’ve been easier if Deacon were an easier man to resist.

The 51st Thursday is a story of passion with a side of tragedy mixed in, set against an atmosphere of longing and denial. It’s not a long story but it’s not lacking in emotion or a connection to the characters. This is one of those books that I finished and asked myself if I wish it’d been longer and can honestly say, maybe. Probably. But then again, it’s always that way with the characters I want to spend more time with.

You can buy The 51st Thursday here:

I Share Because I Love…

I’m not sure how long these two short stories are going to be FREE!, but grab them while they’re hot! Who doesn’t love freebies? :-D

Click On The Cover Image

Brin and his Dom, Ferg, have enjoyed a fun, sexy domestic discipline relationship for years. Brin knows his role–flamboyant, fabulous brat–and Ferg knows it’s his job to play the big bad Dom, giving Brin the punishment he desperately craves. When Brin is tasked with dressing his new friend Lane Moredock for a date with Brin’s ex, Derek, he’s excited–fashion is what he knows best, and Lane is going to look stunning. But what should be a fun afternoon takes a serious turn when Brin sees that Lane has been injured, and Lane’s reluctance to tell Brin the truth about it makes Brin start to question who he is, why things didn’t work with Derek, and what people really think of him. Is he just a flittery, glittery fashion fairy? Or does he mean something more to the people he loves? And can he find a way to bring these doubts up with Ferg–or is Ferg going to have to Top his way to the bottom of this?


Click On The Cover Image

New lovers Rhys Matherton and Silas Quint finally have a chance to breath easy and enjoy a well-earned respite on board a transatlantic cruise to New York City. But the lack of danger gives Rhys too much time to think about the enormity of falling in love with a man who isn’t human. He’s not sure love at first sight can last, especially when your lover is fae. Sure, the sex is fantastic, but that’s not enough to hang the rest of your potentially immortal life upon.

To distract himself, Rhys suggests he and Silas take a set of lessons to learn to waltz. The plan backfires when they are paired with two older women—one of whom reminds Rhys of his recently deceased mother. Instead of being able to ignore thinking about his future with Silas, he’s actively questioned about his lover. And it seems the whole boat knows who he’s sleeping with.

As Rhys learns the steps of the waltz, he has to decide if he’ll continue to dance around what he feels for Silas or if he’ll finally learn to trust in his partner’s love for him.

When Happily-Ever-After Takes On New Meaning – His Heart to Reap by Erin Lark

Though lovers be lost, love shall not; And death shall have no dominion. – Dylan Thomas

Some people are blessed to pass from this mortal coil with the knowledge that their lives have been lived with purpose and can be celebrated without regrets when the end comes. But sometimes the journey from this world to the next gets waylaid by things left unfinished, things left unsaid…loves left unclaimed. For those souls, there is a place called limbo—the space that exists between life and the ascension—where the troubled soul resides until it can make peace with whatever it is that’s keeping it tethered to the in between.

Aiden Scott has lived in limbo for years, so long, in fact, that he’s made a career out of being a reaper, a counselor to the recently deceased who helps those who’ve just crossed over to come to terms with their deaths and then helps them attempt to find the closure they need to move beyond the state of flux in which they currently abide. It is a state of perpetual motion in which Aiden has become stagnant, not quite ready to put a name to what it is that keeps him from experiencing his own ascension, not quite happy in the lonely existence carved out for him by virtue of that inertia, not quite convinced that confession will be entirely good enough for his soul to move on.

But, then even in death, it seems some have a purpose far less ordinary than to follow the preordained path to what lies beyond.

When Brandon Jamison arrives in limbo, to say that Aiden is shocked is a bit of an understatement. He and Brandon had met in elementary school, and though their friendship had taken a brief intermission in junior high, they’d drifted back together in high school and had remained close until Aiden’s death. But that’s all they ever were to each other—friends—because neither had ever confessed to the other that he was gay, nor did they ever speak of the attraction they’d felt for each other. Life was about wasted time and squandered opportunities. And sadly, it appears as if they may be doomed to repeat that history, even in death.

Some people live a purpose driven life. Aiden and Brandon live a purpose driven death, and Erin Lark has written a sweet and sexy, and sometimes heart-tugging little story about sacrifices and second chances filled with universal truths about the power of forgiveness and of the grasping hold of happiness at each and every opportunity, because you never know if it might be your last.

It’s a story of compassion that begets healing, and of the healing that begets fulfillment and achieves the ultimate joy in the midst of the life that happens after…well…life. It’s a story that suggests it’s not at all how one dies that matters, but, rather, how one lived that truly accounts for who one becomes in the ever-after, and I liked it very much.

You can buy His Heart to Reap here:

A New Lyric In The Ballad Of Robin Hood – Lord of the Forest by Kay Berrisford

Never archer there as he so good
And people called him Robin Hood
Such outlaws as him and his men
Will England never see again – Thomas Gale, Dean of York

Robin Hood and his band of Merry Men rob from the rich and give to the poor; or so the legend goes, of the man who lives as the outlaw of Sherwood Forest, whose sworn enemy is the Sheriff of Nottingham, and whose life is about to become all manner of complicated when his band of fellow outlaws each goes his own way, leaving Robin alone, a man with a purpose but with no one left to aid him in the serving of it.

Kay Berrisford’s Lord of the Forest is a re-imagining of the larger-than-life mythology of one of England’s most notorious heroes…or villains, depending upon which side of his brand of justice one stood on. She’s given more than a few great twists to the tale, introducing plenty of intrigue, as well as fairy tale magic, and has managed to turn the legend of Robin Hood into a lovely romance between a lonely man and the young spy who is a traitor to his birthright and whose life is complicated beyond measure.

Robin and the Sheriff are still the bitterest of adversaries, but their relationship is so much more than the Sheriff simply wanting to capture Robin and bring him to justice. No, the Sheriff wants to possess Robin, body and soul, before he sees that the man pays for his crimes, and it is an obsession that Cal—the forester, the whore, the spy—must decide upon which side he stands before he can decide which man he will betray.

The living forest of Greenwood plays its own unique role in the romance between Robin and Cal, building upon the sensuality and the mysticism woven into the story, and reinforcing a bond that was forged by each of their births, as children of the woodland.

There is danger and treachery and even a little bit of heartbreak before an ending that effectively resolved the demands of the Greenwood that the protector bloodline must endure. It is an alchemy that only the Fae could perpetuate; it challenges the imagination, and it also left me wondering if (read: hoping) the author might consider a sequel to the adventure.

You can buy Lord of the Forest here:

Dangerous Liaisons And Dangerous Submission by Lori Toland

Sex without pain is like food without taste. ― Marquis de Sade

The boys from SOCA, the Serious Organized Crime Agency, are back in Lori Toland’s Dangerous Submission (Dangerous Affairs, Book 2), but this time the story focuses not on Nathaniel Bradley and Tony Terranova, the lovers from The Long Con, but on Agent Drake Steele and his soon to be undercover partner, Agent Robbie Covington, a computer specialist and the youngest son of a duke, who are being sent to Prague on a top-secret mission of intrigue and espionage to infiltrate an art-smuggling ring, a job that will just so happen to lead the men deeply into an elite world of BDSM, a world with which Drake, as a Dom, is entirely familiar, but for Robbie is an alien world in which he will be getting all his training on the job, and will discover that being a good sub is far from easy.

These two men couldn’t come from more divergent backgrounds; being a son of the peerage, there’s no doubt Robbie will blend in well in the sophisticated society of art dealers and collectors. But that’s not Drake’s realm. Drake’s world has more to do with whips and handcuffs than tuxedos and cufflinks, and given the surroundings they’ll be thrown into, it will be Drake’s knowledge and talents that will ensure they locate their marks and infiltrate Brandon Mueller’s and Stefan Zuliani’s operation.

Dangerous Submission is more relationship book than spy thriller, which is something I think worthy of mentioning if you’re looking for a story that’s intense with the action of a covert mission and international intrigue. There are definitely dangerous liaisons within, but this story is more about the building of trust and an emotional bond between two men who should be nothing more to each other than co-workers who’ve been given a job to do, and are expected to fulfill it while maintaining a professional distance from the intimacy that can’t be helped, or avoided.

There are enemies and allies, and plenty of non-stop erotic moments that build to the moment-of-truth for Drake and Robbie, forcing them each to examine whether the feelings that’ve grown between them can exist outside of the mission, or if everything that transpired was merely an illusion wrapped within the roles they played.

While I’m the sort of reader who’d have liked to see the crime drama side of the plot a little more fully explored, the single attraction for me in their story, the one thing that made this book more than just a passable read, was the chemistry between Drake and Robbie and the development of the trust between them, a trust that didn’t necessarily happen as a slow and methodical building of a relationship but came upon them in a more intense way through the intimacy of dominance and submission and the surrendering of and the taking of control, and the back-and-forth power play between them.

You can buy Dangerous Submission here:

Eek! Humans… The Other White Meat – Half a Million Dead Cannibals by Kari Gregg

So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, the living die. – John Dryden

My experience with zombies pretty much begins and ends with the movies Shaun of the Dead and Zombieland, which not only gives you a good idea of my highly warped sense of humor, but also clues you in to the fact that I…am pretty much a wuss. If I can’t laugh at the zombie apocalypse, then I don’t want anything to do with it. I like my brain exactly where it is, inside my cranium, thank you, and I have no desire to pollute my denial of the looming undead disaster with visions of the boogeyman tapping my noggin like a keg and sucking my gray matter out through a straw. It’s a personal preference, what can I say? So for me to actively choose to read a zombie book is kind of rare. Not unheard of, mind, but rare.

Half a Million Dead Cannibals is a zombie book. I read it. And I purposefully chose to read it because Kari Gregg, if you’re not familiar with her work, writes some really good erotica interspersed with great characters and the ability to tell an absorbing story, and this book did not at all disappoint in any of those departments. The only place this book failed me was in that it wasn’t long enough, and now I want a sequel but don’t know whether I’ll ever get one.

HaMDC is the story of a global plague that strikes a few months before the story begins, a plague that wipes out scores of people around the world—now, if only those folks had just stayed dead… But no, this particular brand of Armageddon morphs and mutates its victims into slavering, lurching, mindlessly aggressive monsters that belly up to the all-you-can-eat-people-buffet and start to munching.

This is the story of two men, Riley and Graham, who meet in the worst of circumstances and then stay together, because having someone at your back who isn’t trying to eat you as a tribute in this version of the ultimate hunger game means the difference between living and not being alive.

Graham is big, butch, and ex-Navy. Riley wears nail polish and eyeliner. They are virtual opposites, but to underestimate Riley simply because he doesn’t look like a man who is capable of taking care of business is to be as wrong as is humanly possible. Riley is a force, and Graham, as straight as he may be, or at least seems to be, is attracted to that force in a very human way. This is the story of Riley and Graham’s fight for survival, but it’s also the story of how the two men come to need each other in a visceral way, ultimately becoming each other’s reason for fighting and surviving.

This is a story of the complete deconstruction of humanity, not only of the undead population but also of the survivors who now live in a state of vigilante rule; society has devolved into a survival of the fittest, kill or be killed mentality where having simple things like basic necessities makes a man a target for death of the permanent kind, not of that other far more gruesome kind.

Riley and Graham’s flight from the city to take to higher, and far safer, ground was a study in nail-biting action and edge of my seat tension. This is one of those books that for better, or sometimes very much for the worse, plays out like a movie in the imagination. It was pretty much everything I was anticipating it would be, but Riley and Graham and the chemistry between them was very much a nice bonus. Theirs is a relationship that was bred in the need for human companionship in an inhumane world, but grew into the simple but no less profound need of loving someone who can give you faith in any future at all.

You can buy Half a Million Dead Cannibals here:

Fugitive Color by Z.A. Maxfield

Revenge is barren of itself: it is the dreadful food it feeds on; its delight is murder, and its end is despair. – Friedrich Schiller

Someone has robbed Max Lancaster of his Muse, in a most brutal and permanent way. Young Elena Genovese, ballerina and the inspiration for some of Max’s most brilliant and celebrated work, was found murdered. And Max Lancaster, as it turns out, is the prime suspect in her death.

Why wouldn’t he be, after all? Max is single, a bit of a loner, is largely irresponsible and perhaps mildly eccentric, and is a man who has spent hours upon hours obsessing over capturing the grace and form of a sixteen-year-old girl on canvas. His art is as close to proof of an open love letter as one could get, using color and images rather than words to express the awe and admiration he has for the beauty of and dedication to her craft. It is suspect at best, proof of his fascination with the girl at worst; not to mention the fact he has no alibi, and is hiding from a secret and tortured past that has come back to haunt him, a past—and now a present—in which nearly everyone, including Max himself, has questioned his sanity. But not everyone believes Max is capable of cold-blooded murder.

Sumner Ellison is a forensic artist who has been assigned the job of capturing a rendering of a young man who was seen with Elena just before her death. Sumner has also been assigned the job of engaging Max in an effort to draw him out and to, hopefully, lure the man into a false sense of security that will cause him to err into confession. But the more time they spend together, and it doesn’t take long as there is already a small piece history between them, the more Sumner becomes convinced, in spite of his own growing fears, that Max is innocent. Proving it, however, may be next to impossible, especially when all the damning evidence seems to prove otherwise.

Fugitive Color is a story of crime and confession, served up in a catch-me-if-you-can fashion. It becomes evident fairly early on who the true perpetrator is, but half the fun of that is then watching, waiting, and wondering when everyone else is going to catch up to what is so evident to the reader.

As Max begins to psychologically unravel to the point that he begins to question his own innocence, as his art begins to morph into something exceedingly disturbing, and as Sumner’s belief in Max’s innocence is tested over and over again by what seems to be overwhelming evidence to the man’s guilt, the tenuous grip on their budding relationship falters and fails. It becomes impossible for Sumner to fight against the will of a man who has already condemned himself to a fate that circumstance seems determined to deliver. But it’s only a matter of time before the true killer prepares to strike again, and this time it’s Max who will be the victim.

This was a fast paced read, one I made it through in just a matter of a few hours, and I thought it was time well spent. I might have liked to have more of an opportunity to see the relationship between Max and Sumner develop, but I liked what I got, which also counts for me. And I’m just going to say that I’ve learnt not to be a huge stickler on editing issues, but I will also say that there were a few instances in this book where characters were referenced by the wrong name in a scene, so if those sorts of things bother you, and let’s face it, there’s nothing right about being pulled out of a story so you can try to figure out who should be where and when, just be forewarned it’s there.

You can by Fugitive Color here:

Drawn Together by Z.A. Maxfield

A thing long expected takes the form of the unexpected when at last it comes. – Mark Twain

Rory Delaplaines fell in love with an ideal. He fell in love with an artist’s work, and by association, convinced himself it was his Destiny to swoop in like a valiant knight on noble steed—rust-bucket car works here, too—to sweep the fair damsel of his dreams off her feet with nothing more than his faithful heart and sincere boyish charm. And flowers. Yes, there were flowers on hand too.

Rory sets out upon a cross-country quest from Louisiana to California to pursue the maiden of his heart, to win her hand, and to begin, from that moment forward, a life of blissfully-ever-after. It is a tiresome journey filled with many an inconvenience and hardship, a virtuous conquest for his lady-love that is coupled with sacrifice and has left him humble and near penniless, but is worth the price Rory has paid. He is drawn helplessly by his desires but has forfeited willingly the comfort of home and hearth to find his true love. It is fated to be, after all, as inevitable as the sun rises and sets, as permanent as the ink on the page, that the enchanting Ran Yamane will ever belong to Rory; though, as with any quest worth pursuing, there are always great obstacles and near insurmountable odds to overcome, the greatest being that…

Yamane is a man.

And Rory is straight.

Oops. ::fail:: Somebody didn’t do his homework.

Drawn Together is a story that has some humorous elements to it, some very sweet and charming moments, as well as a cat-and-mouse plot involving a Cuckoo-For-Cocoa-Puffs stalker who thinks Ran Yamane would look rather nice as a personal ornamental accessory, perhaps chained prettily in a corner of her kooky boudoir. Yes, sanity and Amelia Gianfranco are not on intimate terms. They don’t even live in the same area code.

So, understandably, Yamane is little more than a recluse who has a difficult time trusting anyone, particularly strange men who would drive across the United States with the intent of making the artist the first, last, and always Mrs. Yamane Delaplaines. Right? Creepy stalker chick, and potentially creepy stalker dude? You can see the correlation. But there’s something about Rory’s down-home Southern boy mannerisms and charms that have Yamane’s compassion wanting to poke its little turtley head right out of his shell, and he takes pity on Rory and gives him shelter, like a lost puppy. A lost puppy who’s really attractive to the openly gay artist.

You can probably guess what happens from there, in the ups and downs of trying to figure out this relationship that can’t be, then can be, then almost isn’t. There’s a lot of suspense thrown into the mix, as Ms. Wacky Pants baits the hook that will lead Rory and Yamane right into her evil trap. Ah, but there are a few flaws in her sinister plot; namely that a lot of people hate her and can smell the stink of her crazy all over her.

Drawn Together is old-school ZAM, published waaaay back in 2009. This is one that I’ve had on my TBR pile for years and finally got around to bumping it up on my list. If I were to do an apples-to-apples comparison of this book with, say, any of the St. Nacho’s books, I’d have to say that it doesn’t quite measure up. I loved Rory immensely but never made an emotional connection with Yamane, which may have been the whole point—he was supposed to be somewhat set apart, first because of the stalker ordeal, but also because of the way he’s perceived; owed to his delicate, beautiful, and exotic appearance. I was very much onboard with the story most of the way through, but didn’t feel that the homestretch held up to the action of the rest of the book. Once the Amelia Loony-Toons part of the storyline was resolved, the remainder of the book felt a bit anticlimactic in comparison. That’s not to say I wouldn’t recommend the book, but it’s to say if you’ve read a lot of ZAM’s work, this one may or may not end up being a favorite.

You can buy Drawn Together here:

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